My Town


Written, Choreographed, and Performed by Jack Ferver
Scenic Design, Music, and Video by Jeremy Jacob

In choreographer and theater director Jack Ferver’s My Town, the small town is a portal that provides special access into questions of self-expression and collective agency. Set loosely in an area of upstate New York, My Town considers the queer experience outside urban metropoles, and the ways physical geography marks the interior terrains of the mind.

Ferver has described the project as “exploring the disappearance of the femme,” taking a queer departure from the classic American play Our Town by Thornton Wilder in which the female protagonist Emily passes away. My Town is closely informed by the experience of building an art practice in the dense and intense environment of New York City, and the piece deals also with Ferver’s experience growing up in a small town in Wisconsin, and experiencing early familial tragedy.

Moving through tragicomic moments of violence, sexuality, and loss, Ferver balances the work with a playfulness and self-awareness that lifts the work into a surreal register. The fluidity of the work is echoed in the video by acclaimed filmmaker and artist Jeremy Jacob that frames the work and interacts with Ferver’s performance, enabling one scene to melt into another as if in a dream.

Ferver shifts through choreography and theatrical sketches throughout the work. As with many of Ferver’s past projects, My Town focuses heavily on constructing a persona, and also plays at the edge of the fictive and the real.


The show is a feat of constant story telling and choreography. A raw and exacting piece of dance-theater that looks at small-town life. But instead of pulling out its sweetness, Ferver explores a more haunting side of existence.
— Gia Kourlas, The New York Times
Meticulous descriptions paint pictures like containers—mapping out the streets and buildings of this town or that—that they methodically fill to overflowing with the fleshy mess of experience and its attendant psychological vortex. Their deconstructed storytelling leaves just enough space to fill in the blanks with affect and imagination while opening larger meditations on betrayal and abandonment, misogyny and queerness, revenge and regret, and always, ultimately, death.
— Sarah Cecilia Bukowski, The Dance Enthusiast
My Town, Ferver’s sinuous, queer, one-person fantasia on Thornton Wilder’s Our Town, a work that treats small-town Americana not as a quaint postcard but as a darkling mirror. Here, amid the sepia atmospherics conjured by Jacob’s video and sound design — a feverish scrapbook of sketched townscapes and typed fragments that hover like half-remembered dreams — Ferver pushes Wilder’s existential question (“Are you really paying attention?”) into the realm of spectral unease.
— Tony Marinelli, Theatre Beyond Broadway
It’s amazing how many characters Ferver brings to the stage during this time, and how, in doing so, time is layered and collapsed, how individual traumas splinter through time and imbed themselves in the fabric of place and being.
— Brit Stigler, ALL ARTS



MY TOWN

Complete project information is available by request for presenters and curators.

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